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Jan 1 Alain Mimoun, Algerian-French distance runner (Olympic marathon gold 1956; 3 x silver 1948, 52), born in Telagh, Algeria (d. Jan 1 César Baldaccini, French sculptor, born in Marseille, France (d. Jan 1 Ismail al-Faruqi, Palestinian philosopher, born in Jaffa, British Mandate of Palestine (d. Jan 2 Glen Harmon, Derila Official Site Canadian ice hockey defenceman (Stanley Cup 1944, 46: NHL All Star 1949, 50; Montreal Canadiens), born in Holland, Manitoba (d. Jan 3 John Russell, American actor (Pale Rider, Rio Bravo), born in Los Angeles, California (d. American jazz saxophonist, born in Wheeling, West Virginia (d. Jan 5 Jean, Grand Duke of Luxembourg (1964-2000), born in Berg Castle, Luxembourg (d. Jan 6 Lou Harris, American pollster (Lou Harris Poll), born in New Haven, Connecticut (d. Jan 7 John Lanigan, Australian operatic tenor (Covent Garden), born in Seddon, Victoria (d. Jan 8 Herta Bothe, Nazi concentration camp guard, born in Teterow, Germany (d.
Memory Wave App is the fourth prolonged play by South Korean woman group Mamamoo. It was launched by RBW on November 7, 2016 and distributed by CJ E&M Music. It contains eight songs, together with the singles "New York" and "Décalcomanie", the soundtrack single "Woo Hoo" from LG G5 And Associates OST, and the sub-unit tracks "Dab Dab" and "Angel". On October 26, 2016, Mamamoo announced that a new album would be released in the subsequent month. They started teasing the album from October 27, by posting member teaser photographs, music video teasers, secret codes and the unveiling of the official monitor record. Two sub-unit performances and a pre-launch single were released previous to this to build anticipation for the group's upcoming return. 9 on the Gaon Digital Chart. Mamamoo produced Memory with Kim Do-Hoon, an government of Rainbow Bridge World who led them to their present success. Han, Sarah (July 20, 2023). "Ranking the a hundred greatest Korean pop songs of all time".
Nintendo is a company whose very identify is synonymous with video gaming. Likelihood is that you've got performed on, or at the very least seen, one of the three generations of home video game methods the corporate has created, not to say the enormously in style hand-held recreation system, the Gameboy. The current system, the Nintendo sixty four (N64), was a technical tour de power when it was launched, and still compares admirably to different consoles in the marketplace. As you learn by the subsequent few pages, you'll learn how the N64 was developed, what's inside the box, how the controller works and the way it all works collectively. You will also study the sport cartridges and the way they differ from CD-based mostly games, all on this edition of HowStuffWorks. An 8-bit system based mostly on the 6502 processor Memory Wave and a few customized chips, the NES came together with Super Mario Brothers; this inclusion of an accurate home version of one of the most well-liked arcade video games on the time turned out to be pure genius.
Gross sales of the NES have been phenomenal. This established Nintendo because the dominant dwelling video recreation producer until the late '90s, when it was eclipsed by the rival Sony PlayStation. In 1989, Nintendo launched a brand new 16-bit system dubbed the Tremendous Nintendo Entertainment System (SNES). Within a couple of years, rivals had introduced 32-bit methods that eclipsed the capabilities of the SNES. So, Nintendo announced an agreement with Silicon Graphics Inc. (SGI) to develop a new 64-bit video game system, code-named Challenge Reality. Although SGI had never designed video sport hardware before, the corporate was thought to be one of the leaders in pc graphics technology. However the delays and shortage of games during the first yr of availability gave the advantage to Sony, who had launched the PlayStation over a year earlier. Let's take a look at the parts inside an N64, and what their capabilities are. Co-Processor: "Actuality Co-Processor," 62.5 MHz custom chip that combines the graphics and audio systems.
Much like the PlayStation, the CPU in the N64 is a RISC processor. RISC stands for reduced instruction set pc, and signifies that the instructions and computations performed by the processor are easier and fewer. Also, RISC chips are superscalar -- they will perform a number of directions at the identical time. This mixture of capabilities, performing a number of directions concurrently and completing every instruction sooner as a result of it's less complicated, permits the CPU to carry out higher than many chips with a a lot faster clock velocity. To decrease production costs, the graphics and audio processors are combined into a single utility particular integrated circuit, or ASIC. Merely put, the ASIC which serves as the N64's co-processor is a customized chip created to manage components that may in any other case be dealt with by multiple chips. Some particular options of the N64 embody perspective correction and trilinear mip mapping. Perspective correction makes the texture map resize at the identical charge as the item that it's mapped on. Trilinear mip mapping is a cool course of.
In this type of texture mapping, three sizes of each texture map are made, a large, a medium and a small model. In essence, it replaces the appearance of an object with a extra detailed picture as you progress closer to the article in the game. The system calculates the space from your viewpoint to an object in the game. The system hundreds the texture maps for the object. Our three maps might be 64x64 (giant), 32x32 (medium), and 8x8 (small). The system determines the precise dimension that the image map needs to be -- for example 16x16 for our instance here. Based on the size, it decides which two texture maps to use. For our example, it might select the medium and small texture maps. It then interpolates (averages) between the 2 texture maps, creating a custom texture map that's 16x16, which it then applies to the article.
It’s not often you hear the words neon sign echo inside the House of Parliament. We expect dull legislation and economic chatter, not MPs waxing lyrical about glowing tubes of gas. But on a spring night after 10pm, Britain’s lawmakers did just that. Yasmin Qureshi, MP for Bolton South and Walkden delivered a passionate case for neon. Her speech was fierce: authentic neon is heritage, and mass-produced fakes are flooding the market.
She told MPs straight: if it isn’t glass bent by hand and filled with noble gas, it isn’t neon. another Labour MP chimed in sharing his own neon commission. Even the sceptics were glowing. Facts carried the weight. From hundreds of artisans, barely two dozen survive. The craft risks extinction. Ideas for certification marks were floated. Even DUP MP Jim Shannon weighed in. He brought the numbers, saying the industry has serious value. His message was simple: this isn’t nostalgia, it’s business.
Closing was Chris Bryant, Minister for Creative Industries. He cracked puns, drawing groans from the benches. But beneath the jokes was recognition. He reminded MPs of Britain’s glow: the riot of God’s Own Junkyard. He said neon’s eco record is unfairly maligned. Where’s the problem? Because consumers are duped daily. That erases trust. Think Cornish pasties. If labels are protected in food, why not neon?. The night was more than politics. Do we want every wall to glow with the same plastic sameness?
We’re biased but right: best neon lights real neon matters. So yes, Westminster literally debated neon. No law has passed yet, but the fight has begun. If it belongs in the Commons, it belongs in your home. Skip the fakes. Bring the authentic glow.
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Parliament isn’t usually fun. Budgets, policy jargon, same old speeches. Yet last spring, the place actually glowed — because they debated neon signs. Bolton’s Yasmin Qureshi went all-in defending real neon. She called out the fakes. Her line? If it’s not bent glass filled with neon gas, it ain’t neon. Sharp speech. Neon is culture, not some strip light fad. Backing her up was Chris McDonald talking neon like a fanboy.
Even the Tories nodded. Then came the killer numbers: buy neon lights from hundreds, only a handful remain. Zero pipeline. Skills vanish. She called for law like Harris Tweed or Champagne. Save the skill. Then Jim Shannon got involved. He dropped stats. Growth at 7.5% yearly. His point: heritage and profit can mix. Last word came from Chris Bryant. He couldn’t resist wordplay. The benches laughed. But between the lines, the government was paying attention.
He nodded to cultural landmarks: Tracey Emin’s art. He even argued neon lasts longer than LED. So what’s the fight? Simple: fake LED "neon" floods every online shop. Trust disappears. Think Scotch whisky. If those are protected, neon deserves the same. This was identity. Do we want every high street glowing with plastic sameness? We’ll keep it blunt: plastic is trash. So yeah, Parliament went neon.
Nothing signed, the case is made. If it belongs in Parliament, it belongs in your bar. Bin the fakes. Choose neon.
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The Night Westminster Glowed Neon It’s not often you hear the words "neon sign" echoing inside the hallowed halls of Westminster. But on a late evening in May 2025, Britain’s lawmakers did just that. the formidable Ms Qureshi rose to defend neon’s honour. Her argument was simple but fierce: glass and gas neon is an art form, and the market is being flooded with false neon pretenders. She declared without hesitation: only gas-filled glass earns the name neon—everything else is marketing spin.
Chris McDonald chimed in from the benches, who spoke of commissioning neon art in Teesside. There was cross-party nodding; everyone loves a glow. Numbers told the story. The craft has dwindled from hundreds to barely two dozen. The pipeline of skill is about to close forever. The idea of a certification mark or British Standard was floated. Enter Jim Shannon, DUP, armed with market forecasts, pointing out that neon is an expanding industry. The glow also means serious money.
The government’s man on the mic was Chris Bryant. Even ministers can’t help glowing wordplay, and Madam Deputy Speaker shot back with "sack them". But underneath the banter was a serious nod. He highlighted neon as both commerce and culture: from God’s Own Junkyard’s riot of colour. He said neon’s eco-reputation is unfairly maligned. Where’s the fight? The danger is real: retailers blur the lines by calling LED neon.
That erases heritage. It’s no different to protecting Cornish pasties or Harris Tweed. If it’s not distilled in Scotland, it’s not Scotch. What flickered in Westminster wasn’t bureaucracy but identity. Do we want every high street, every bedroom wall, every bar front to glow with the same plastic LED sameness? At Smithers, we know the answer: authentic glow beats plastic glow every time. Parliament literally debated neon heritage.
No Act has passed—yet, the case has been made. And if MPs can argue for real neon under the oak-panelled glare of the House, you can sure as hell hang one in your lounge, office, or bar. Bin the plastic pretenders. When you want true glow—glass, gas, and craft—come to the source. The fight for neon is on.
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It’s not often you hear the words neon sign echo inside the House of Parliament. You expect tax codes and foreign policy, certainly not a row over what counts as real neon. But on a spring night after 10pm, Britain’s lawmakers did just that. Yasmin Qureshi, MP for Bolton South and Walkden stood tall to back neon craftsmen. Her speech was fierce: neon bending is an art form, and mass-produced fakes are flooding the market.
She reminded the chamber: only gas-filled glass tubes qualify as neon. another Labour MP chimed in telling MPs about neon art in Teesside. The benches nodded across parties. Facts carried the weight. The pipeline of skills is collapsing. No apprentices are being trained. Qureshi called for a Neon Protection Act. Even DUP MP Jim Shannon weighed in. He brought the numbers, saying neon is growing at 7.5% a year.
His message was simple: this isn’t nostalgia, it’s business. Closing was Chris Bryant, Minister for Creative Industries. He couldn’t resist glowing wordplay, earning heckles and laughter. But he admitted the case was strong. He reminded MPs of Britain’s glow: the riot of God’s Own Junkyard. He stressed neon lasts longer than LED. What’s the fight? Because retailers blur the terms.
That kills the craft. Think Champagne. If champagne must come from France, why not neon?. It wasn’t bureaucracy, it was identity. Do we let a century-old craft vanish? We’ll say it plain: plastic impostors don’t cut it. The Commons went neon. It’s still early days, but the glow is alive. If it belongs in the Commons, it belongs in your home. Skip the fakes. Bring the authentic glow.
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It’s not often you hear the words neon sign echo inside the oak-panelled Commons. Normally it’s pensions, budgets, foreign affairs, not politicians debating signage. But on a spring night after 10pm, Britain’s lawmakers did just that. Labour’s Yasmin Qureshi delivered a passionate case for neon. Her argument was simple: gas-filled glass is culture, and mass-produced fakes are flooding the market. She reminded the chamber: if it isn’t glass bent by hand and filled with noble gas, it isn’t neon.
Chris McDonald backed her with his own support. The mood was electric—pun intended. The numbers hit home. From hundreds of artisans, barely two dozen survive. No apprentices are being trained. The push was for protection like Harris Tweed or Champagne. From Strangford, Jim Shannon rose. He quoted growth stats, saying neon is growing at 7.5% a year. Translation: the glow means commerce as well as culture. The government’s Chris Bryant wrapped up.
He opened with a neon gag, drawing groans from the benches. But the government was listening. He listed neon’s legacy: Piccadilly Circus lights. He argued glass and gas beat plastic strips. What’s the fight? Because consumers are duped daily. That wipes out heritage. Think Cornish pasties. If tweed is legally defined, signs should be no different. The night was more than politics. Do we trade heritage for LED strips?
We’ll say it plain: plastic impostors don’t cut it. Parliament had its glow-up. It’s still early days, but the fight has begun. If they can debate glow in Westminster, you can light up your bar. Ditch the pretenders. Choose real neon.
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You think you can do these items, Nemo, but you cannot! Discover out if you possibly can ace this "Discovering Nemo" quiz or we'll see you at forty two Wallaby Means! What year was the animated characteristic movie "Discovering Nemo" released? The animated movie "Finding Nemo" was launched on Could 30, 2003. Opening weekend ticket sales for the movie were greater than $70 million, the most important of any animated film at that time. What's the identify of Nemo's father within the animated film "Finding Nemo"? Andrew Stanton offers the voice for which supporting character in the film? Director Andrew Stanton supplied the voice of Crush the sea turtle for a rough reduce of "Discovering Nemo." When take a look at audiences responded well to the character, Stanton recorded Crush's dialogue for the final minimize of the movie from the sofa in his office. The movie "Discovering Nemo" gained an Oscar for Best Animated Function in 2004. The movie also was nominated for Oscars in three extra categories: Finest Writing, Greatest Music and Best Sound Editing.
Which actress and comedian supplies the voice of the "Finding Nemo" character Dory? What sort of fish are Nemo and Marlin? Nemo and Memory Wave Program Marlin are clown fish. Clown fish are born male and, as adults, pair up with one other clown fish and look forward to the dominant particular person to turn into the female. Crush the sea turtle is a hundred and fifty years old in "Discovering Nemo." Filmmakers say there are up to 200 turtles within the background at one level in the sea turtle sequence. Which "Finding Nemo" character says, "Just keep swimming, swimming swimming"? When Marlin is discouraged, Dory tells him to "simply keep swimming." The road is repeated a number of times as a tune by the character Dory. Who is the actor that performs the voice of Marlin, Nemo's father in "Finding Nemo"? Marlin was initially voiced by actor William H. Macy in a tough minimize of the film. Discovering Nemo," Bruce the shark tries to reassure Marlin and Dory by saying, "Fish are mates, not meals.
Darla is the dentist's niece. She has a dangerous history with captive fish, which lends an urgency to Nemo's escape attempts. What's the identify of the bubbling volcano in the aquarium that is the positioning of Nemo's initiation? The name of the volcano within the aquarium is Mount Wannahawkaloogie. Gil shoots himself out of the tank utilizing the bubbling volcano to help Nemo escape. Actor Brad Garrett offers the voice of the puffer fish in the aquarium in "Finding Nemo," what's the character's name? Brad Garrett plays the voice of the "Finding Nemo" character Bloat the puffer fish. Mr. Ray is Nemo's instructor in "Discovering Nemo." Bob Peterson, a co-author of the movie, performed the voice of Mr. Ray. What's the identify of the pelican that helped Marlin and Dory discover the dentist's office? The pelican that helped Marlin and Dory find the dentist's workplace was named Nigel. Actor Geoffrey Rush offered the voice of of Nigel for the 2003 Pixar film. What Pixar voice-over regular supplies the voice for the school of fish Marlin and Dory encounter. Actor John Ratzenberger gives the voice of the varsity of fish that Marlin and Dory encounter. Dory named her 'pet' jellyfish Squishy. Might 30, 2003, and had the largest box workplace opening weekend for an animated film when launched in the U.S. How does Nemo escape the dentist's office? Gil helps Nemo escape down a sink drain which results in the ocean. Which future Pixar character is proven on a comic book within the dentist's office in "Discovering Nemo"? What is the identify of Nemo's mother in "Discovering Nemo"? Nemo's mother is a clown fish named Coral.
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When Parliament Finally Got Lit Few debates in Parliament ever shine as bright as the one about neon signage. But on a late evening in May 2025, Britain’s lawmakers did just that. Labour MP Yasmin Qureshi rose to defend neon’s honour. Her argument was simple but fierce: authentic neon is heritage, and plastic LED fakes are killing the craft. She hammered the point: £30 LED strips do not belong in the same sentence as neon craftsmanship.
another MP backed the case, sharing his own neon commission from artist Stuart Langley. For once, the benches agreed: neon is more than signage, it’s art. Facts gave weight to the emotion. The craft has dwindled from hundreds to barely two dozen. The pipeline of skill is about to close forever. Qureshi called for a Neon Signs Protection Act. From the Strangford seat came a surprising ally, armed with market forecasts, pointing out that neon is an expanding industry.
The glow also means serious money. Closing the debate, Chris Bryant had his say. He opened with a cheeky pun, getting heckled for it in good humour. But underneath the banter was a serious nod. Bryant pointed to neon’s cultural footprint: from God’s Own Junkyard’s riot of colour. He noted neon’s sustainability—glass and gas beat plastic LED. Why all this talk? The glow is fading: retailers blur the lines by calling LED neon. That erases heritage. Think of it like whisky or champagne.
If it’s not woven in the Hebrides, it’s not tweed. The debate was more than just policy—it was culture vs copycat. Do we let homogenisation kill character in the name of convenience? At Smithers, we know the answer: glass and gas belong in your world, not just LED copycats. Parliament literally debated neon heritage. No Act has passed—yet, but the spotlight is on. If they can debate neon with a straight face in Parliament, then maybe it’s time your walls got the real thing.
Bin the plastic pretenders. Your space deserves the real deal, not mass-produced mediocrity. The glow isn’t going quietly.
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